Pitch Update...

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I pitched halfwing to Image Comics a little over a month ago (details). As the submission page calls out, if they haven't responded in one month, you should consider your proposal declined (which means halfwing was declined).

As you might guess, I was pretty bummed. I even pondered hanging it up... but... I reviewed my Toggl reports, and I realized I have spent close to a 1,000 hours writing/producing halfwing. I don't want to just throw that time without something to show for it.

Also, I really believe I have something with halfwing. The story is coming along and the art is great.

... so... during the second week when I was the most down in the dumps (and I was sure if I hadn't heard by then, I wouldn't hear... which I didn't)... I started thinking about what's next... [read more]

Contracts with comic artist (from a writer's perspective)

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If you are a writer planning to hire an artist to draw your comic, it's important to get a proper contract in place, so you retain all the rights to your story.

Where should I start?

You will need a Work for Hire contract (also known as a work made for hire or WFH). This type of contract allows you to retain all rights to the created work and do with those works as you please (pitch, webcomic, etc.)... [read more]

What comic script format should I choose for my comic? (Marvel vs. DC vs. movie style)

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If you are working as a writer for a publisher, they probably have guidelines to follow, so you will want to match whatever they request. *cough* *cough* (They are paying you.) There is even a book on writing DC type scripts if you really want to master that format.

However, for creator owned comics, the choice is more personal. Write whatever format fits you best... [read more]